I watch from the dust
These temporary creatures
Who think they're permanent
I live in the spaces between. In the dust motes dancing in afternoon light, in the whisper of curtains when windows are left open, in the cool emptiness of unused rooms. I have no name, no gender, no story of my own. I am only what remains when everything else is gone: pure observation.
Tonight, I drift through the walls of a house containing three humans. They don't know I'm here. They rarely know anyone is really here, even when they're looking directly at each other.
In the garage, a man polishes a motorcycle that already gleams. His hands move with a tenderness he never shows his son. The boy watches from the doorway, small and silent, hoping for a glance, an invitation that never comes. The man buffs chrome until he can see his reflection, but he doesn't see the reflection of his child in the doorway.
"He loves things he can control," I note to the dust motes. "The motorcycle obeys. The child has a will of its own."
The boy eventually turns away, his small shoulders carrying a weight the man will never notice. I float closer to the man, trying to understand this preference for metal over flesh. But humans are contradictions I can only witness, never solve.
In the kitchen, the woman studies medical textbooks while her daughter struggles with homework nearby. "Mom, I don't understand this math," the girl says softly.
"Not now, I'm studying something important," the woman replies without looking up.
I hover between them, watching the girl's face collapse. The woman is learning about healing human bodies while neglecting the human heart beating three feet away. She wants to save strangers while her own child drowns in quiet desperation.
"They build temples to distant gods while their own altars crumble," I whisper to the moonlight filtering through the window.
Later, the man and woman argue in low, sharp tones. Their words are about money, schedules, responsibilities, but their energy is about the empty space between them. They use practical concerns as weapons in a war neither remembers starting.
Their son sits on the stairs, caught between territories, a living bridge between two islands that refuse to acknowledge the water separating them. He has become a diplomat in a war he didn't declare, negotiating peace treaties that never get signed.
I float through him for a moment and feel the peculiar sensation of being seen through. He shivers, looks around, then returns to his lonely vigil.
I drift outside, through walls and fences, into the apartment next door. Here lives a young person who tries to be good in a world that rewards being otherwise. They meditate while their friends party, choose kindness when sarcasm would be easier, seek peace in a culture of drama.
Their phone lights up with messages: "Why are you so serious?" "Come live a little!" "Don't be so judgmental."
They don't respond, just continues arranging flowers in a simple vase. Their loneliness is palpable, a quiet ache that fills the room like incense smoke. But there's a dignity here that's missing in the noisy world outside.
"They think they're choosing isolation," I note, "when they're actually choosing integrity."
My awareness expands further, to a hospital where the woman from the kitchen now works. She moves efficiently between beds, dispensing medications with practiced hands. A patient tries to ask her about side effects, but she's already moving to the next chart.
In another room, an old man dies alone. His family will arrive tomorrow, full of should-haves and if-onlys. For now, it's just him and me. I watch his essence separate from his body, becoming something like me—formless, weightless, free.
For a moment, he sees me. There's a flash of recognition, then he dissolves into whatever comes next. Another mystery I cannot solve.
As dawn approaches, I return to the house. The man sleeps fitfully in his chair in the garage, one hand resting on his motorcycle. The woman sleeps surrounded by medical textbooks. Their son lies awake in his bed, staring at the ceiling.
I see the pattern now, the same one I've seen for centuries: creatures who long for connection while building walls between themselves. Beings who want to be seen while refusing to see. Souls who crave authenticity while performing versions of themselves they think will be more acceptable.
"They are riddles wrapped in flesh, walking contradictions," I murmur as the first light touches the windows.
The boy gets out of bed and goes to the kitchen. He makes himself breakfast, then quietly cleans up. He moves through the sleeping house like a ghost, like me. For a moment, our energies touch—the permanent observer and the temporary observed.
He pauses, looks around as if sensing something, then continues his solitary morning ritual. He's learning to parent himself, to be his own companion in this house of strangers who share his blood.
The sun rises higher. The humans stir, begin their daily performances. I retreat to the spaces between, to the dust and shadows, to continue my eternal watching.
They will continue their complicated dance of connection and isolation, authenticity and performance, love and fear. And I will continue watching, a silent witness to the beautiful, tragic, contradictory miracle of being human.
A Note on Observation
This story brings together themes from our previous essays through the eyes of an eternal observer. The ghost represents pure awareness without judgment—the ability to see human contradictions without needing to resolve them.
Sometimes understanding comes not from finding answers, but from learning to sit with the questions.